SIEMPRE - Social Interaction Entertainment Using Music Performance

Media

  1. Videos

    Repository of CasaPaganini - InfoMus videos (including some SIEMPRE experiments and events)

    Synchronized Multimodal Recordings of Music Ensembles

    fet11 Closing Performance, Budapest May 2011, http://www.fet11.eu:

    Mocap (motion capture) of a String Quartet of students of the Music Conservatory N. Paganini of Genova (class of Music Ensemble, M.o Carlo Costalbano), 2011. The polygon formed by the heads of musicians is shown: this and other low level cues are used to measure synchronization and leadership (coordinator role):

    Mocap (motion capture) from multimodal recordings of an experiment with the Quartetto di Cremona (September, 19th 2011, take 12, segment 4):

    Mocap (motion capture) from multimodal recordings of of the 1st violin and 2nd violin performance of an experiment with the Quartetto di Cremona (September, 19th 2011, take 12, segment 4):

    Guidelines for segmentation of multimodal recordings: example with NO anticipatory movement (Quartetto di Cremona, September, 19th 2011, take 12, segment 4):

    Guidelines for segmentation of multimodal recordings: example WITH anticipatory movement (Quartetto di Cremona, September, 19th 2011, take 12, segment 4):

    Scenario 1: string quartets. Explanatory video of the SIEMPRE platform for multimodal recordings of string quartets (snapshot during experiment with Quartetto di Cremona):

    Backstage of "TanGO - Touching Music" at Festival della Scienza 2011 (Genoa):

    Visualization of the polygon relating the four musicians' heads and the complexity index along the anteriorposterior (AP) and mediolateral (ML) directions (scientific paper). Multimodal recordings with Quartetto di Cremona, 2010:

  2. Pictures

    tanGO Touching Music, Festival Della Scienza 2011:

    1. Gallery 1
    2. Gallery 2

    The setup for multimodal recordings of string quartets of Music Conservatory of Genoa. Synchronized recordings of audio, motion capture data and biometric data (January-April 2011). Biometric data recorded in collaboration with IIT:

    Experimental setting for audience dynamic recordings during concert of Quartet di Cremona in St Germain Church in Geneva (UNIGE-CH). Two pieces of music were judged by 12 music lovers: the 2nd movement of the String Quartet no. 3 in A major op. 41 by R. Schumann and the 3rd movement of the String Quartet no. 4 in C major by B. Bartok:

    Thermographic acquisition at the concert season at Opera House of Genoa Teatro Carlo Felice, May 2010 (UNIGE and IIT). The picture shows a still frame of "audience temperature":

    Set-up tested at the SIEMPRE Barcelona technical meeting. A protocol for the synchronized acquisition of MOCAP data with 3 Qualysis cameras, Polhemus, wireless accelerometers, multichannel audio and thermal camera was tested (13-18 September 2010):

    SIEMPRE Technical Meeting, Belfast (26-March-2011): Experimenting the SIEMPRE setup for multimodal synchronized recordings: